€ 15,00–€ 39,00Price range: € 15,00 through € 39,00
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Diabelli Variations
€ 15,00–€ 39,00Price range: € 15,00 through € 39,00
Fifty composers, from Schubert and Liszt to forgotten contemporaries, transform Diabelli’s waltz into a dazzling mosaic of styles and techniques, presented here in a newly revised Urtext edition.
In what became known as the Diabelli Variations, fifty composers from early nineteenth-century Vienna respond to a single waltz by Anton Diabelli. The result is a musical panorama as diverse as the city’s musical life itself: a dazzling assortment of études, character pieces, contrapuntal inventions, and lyrical miniatures, penned by composers ranging from Schubert, Liszt, and Hummel to forgotten pedagogues, aristocrats, and amateurs.
Originally conceived in 1819 as a patriotic fundraiser in the aftermath of the Napoleonic Wars, the project—published under the title Vaterländischer Künstlerverein—brought together prominent professionals, child prodigies, and noble dilettantes in a shared artistic endeavour. Though Beethoven’s monumental Op. 120 would eventually overshadow the other contributions, the remaining fifty variations form a fascinating cross-section of the musical styles, techniques, and aesthetics active in Vienna around 1820. The collection spans a wide technical range, comparable to works in our Level 6–9 category.
This newly engraved Urtext edition presents all fifty variations and Carl Czerny’s concluding coda in their original order, based on the first edition and critically revised. It combines scholarly precision with pianistic readability, offering insight into a rarely performed but historically significant repertoire. Whether approached as a collection of teaching pieces, a historical document, or a gallery of forgotten musical voices, the Diabelli Variations (Volume II) open a unique window onto Beethoven’s cultural environment.
An Urtext edition presents the music as faithfully as possible to the composer’s intentions. It is based on all available primary sources—first editions, autograph manuscripts, and reliable contemporary copies—and reproduces the musical text without arbitrary additions or editorial rewriting. At Felix Editions, editorial intervention is limited to the correction of obvious errors and is documented in the critical notes, ensuring historical accuracy together with practical clarity for performers.
For lesser-known composers, surviving sources are often exceptionally rare—sometimes only a single print or manuscript. Preparing an Urtext under such conditions requires careful reconstruction and cross-verification of fragmentary evidence. Our editions therefore combine scholarly rigour with curatorial work, making otherwise inaccessible music available in its most authentic form.
Each publication is produced to high standards of clarity, durability, and aesthetic refinement. Scores are printed on archival-grade, acid-free paper, chosen for its pleasant texture, natural colour, and stability over time.
Depending on page count, albums appear in two formats:
– Saddle-stitched for shorter works;
– Black wire binding for larger volumes, allowing pages to turn easily and remain open on the stand.
Every title is beautifully typeset to enhance both appearance and usability. Proportion and spacing are carefully balanced for legibility; page turns are planned so that, wherever possible, they avoid technically demanding passages. The result is a publication that is as pleasing to the eye as it is to play or read.
Dimensions
29,7 × 21 × 2 cm
Editions
Print, Download
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