Ludwig Schuncke’s Grande Sonate in G minor (1832) is one of the most remarkable piano sonatas of its generation—powerful, inventive, and emotionally charged. Written at the age of 22 and dedicated to his close friend Robert Schumann, the sonata fuses bold Romantic expression with structural mastery. A simple three-note motif recurs throughout the work, providing cohesion across four dramatically contrasted movements.
The opening Allegro unfolds from this motif into a landscape of shifting rhythms and contrapuntal dialogue. A fiery Scherzo and solemn slow movement follow, before the finale erupts with virtuosic energy and emotional weight. While the writing is often brilliant and technically demanding, the sonata’s greatest strength lies in its expressive depth and formal unity. Schuncke’s premature death at 23 curtailed a promising career, but this work alone affirms his place among the most original voices of the early Romantic generation.
An Urtext edition presents the music as faithfully as possible to the composer’s intentions. It is based on all available primary sources—first editions, autograph manuscripts, and reliable contemporary copies—and reproduces the musical text without arbitrary additions or editorial rewriting. At Felix Editions, editorial intervention is limited to the correction of obvious errors and is documented in the critical notes, ensuring historical accuracy together with practical clarity for performers.
For lesser-known composers, surviving sources are often exceptionally rare—sometimes only a single print or manuscript. Preparing an Urtext under such conditions requires careful reconstruction and cross-verification of fragmentary evidence. Our editions therefore combine scholarly rigour with curatorial work, making otherwise inaccessible music available in its most authentic form.
Each publication is produced to high standards of clarity, durability, and aesthetic refinement. Scores are printed on archival-grade, acid-free paper, chosen for its pleasant texture, natural colour, and stability over time.
Depending on page count, albums appear in two formats:
– Saddle-stitched for shorter works;
– Black wire binding for larger volumes, allowing pages to turn easily and remain open on the stand.
Every title is beautifully typeset to enhance both appearance and usability. Proportion and spacing are carefully balanced for legibility; page turns are planned so that, wherever possible, they avoid technically demanding passages. The result is a publication that is as pleasing to the eye as it is to play or read.
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