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Wölfl, Joseph (1773 – 1812)

Trois Sonates, Opus 33

SKU:FD017

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Edition

This is a downloadable product. Looking for our print edition on premium paper? Check out Woelfl: 3 Sonatas Opus 33.

Description

Published in 1805, Joseph Woelfl’s Trois Sonates, Op. 33, represent a brilliant synthesis of Classical clarity and pianistic daring. A contemporary of Beethoven and a pupil of both Leopold and Wolfgang Amadeus Mozart, Woelfl was known in his lifetime as a formidable virtuoso. These three sonatas exemplify his energetic and extroverted style: tight formal control, infectious rhythms, sparkling passagework, and a clear melodic profile throughout.

While grounded in Classical form, the sonatas push the technical limits of their time. The outer movements dazzle with rapid figuration and clever transitions, while the slow movements are lyrical and harmonically refined. Especially notable are the playful Alla Polacca finale of Sonata II and the perpetuum mobile coda of Sonata I—passages that reveal Woelfl’s flair for combining humour, virtuosity, and structural ingenuity. These sonatas stand as a vital link between the Mozartian sonata and the brilliant style of later composers like Hummel and Moscheles.

Quick Overview

  • Composer: Joseph Woelfl (1773–1812)
  • Edition: Urtext (FE017)
  • File Format: PDF
  • Contents: 72 pages total (14 pages introduction and source commentary, 50 pages music)
  • Difficulty: Level 7–8 / 10
  • Editor: Martijn Vromans
  • Pages: 50 + XIV pages.

About the Composer

Joseph Woelfl (1773–1812) was an Austrian pianist and composer whose brilliance and wit earned him comparisons with Mozart and early Beethoven. Renowned in his day for his dazzling keyboard skills and sharp musical intelligence, he composed piano works full of clarity, invention, and surprising charm. Though largely eclipsed in the later 19th century, his music reflects the elegance and vitality of a transitional figure between Classicism and early Romanticism.

Contents

  • Introduction
  • Sonata I
  • Sonata II
  • Sonata III
  • Critical Commentary
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  • Premium Editions

    Our paper editions are pleasing to the eye: gorgeous and heavy cream paper produced in an environmentally friendly manner. We print our albums ourselves and use pigmented ink instead of toner. Due to the ink soaking into the paper, a beautiful print is created. All our albums are bound with a steel binding spine, so the albums last a long time and stand perfectly flat on the piano.