A newly prepared edition of the collective Diabelli variation project, bringing together fifty early nineteenth-century responses to Diabelli’s waltz by composers including Schubert, Liszt, Hummel, Czerny, Moscheles and others.

Bernhard van den Sigtenhorst Meyer’s Zes Gezichten op de Fuji, Op. 9, is a piano cycle shaped by landscape, atmosphere and Eastern inspiration, presented in a newly accessible Felix Editions publication.

Three substantial piano sonatas from Joseph Woelfl’s Parisian period, combining Viennese Classical clarity with brilliant, technically engaging keyboard writing.

A substantial Romantic piano sonata by Eduard de Hartog, combining classical four-movement design with expressive freedom, pianistic brilliance, and a cosmopolitan mid-nineteenth-century idiom.

Carl Loewe’s Zigeunersonate, Op. 107b, is a five-movement Romantic piano sonata combining classical form, narrative imagination, vigorous pianistic writing, and a distinctive nineteenth-century programme.

A large operatic concert variation work on a theme from Bellini’s Il pirata. Its astonishing difficulty shows the young Clara Schumann’s command of the concert platform and offers advanced pianists a formidable Romantic showpiece.

A substantial six-movement piano cycle by the seventeen-year-old Clara Schumann, moving from brilliant Toccatina to Notturno, Mazurkas, Ballade and Polonaise. A rewarding recital group for pianists seeking variety, character and early Romantic depth.

Four sharply drawn character pieces: Le Sabbat, Romance, Caprice à la Boléro and Hexentanz. A vivid, compact set for pianists looking for theatrical energy, lyrical calm and dark rhythmic drive.

A flowing early waltz cycle by Clara Schumann, more continuous than a simple set of dances. Graceful, refined and historically resonant, it also found an echo in Robert Schumann’s Carnaval.

An early Romantic variation work with a lyrical theme, brilliant contrasts and direct musical links to Robert Schumann’s later Impromptus. A compact score with both pianistic appeal and biographical resonance.

Nine waltz-caprices written by the twelve-year-old Clara Schumann. Concise and elegant, the set is an inviting way into her early piano writing, with lyrical turns, chromatic shading and confident character.

A large Romantic Ballade from Henselt’s mature period, freely unfolding in form and demanding in texture. A serious recital work for pianists drawn to voicing, sonority and long-range musical control.

A substantial concert waltz subtitled L’Aurore Boréale. More than a brilliant dance piece, it offers advanced pianists a distinctive work of chromatic colour, broad texture and inward lyricism.

Four Impromptus from different stages of Henselt’s career, ranging from lyrical character writing to denser pianistic textures. A useful introduction to his singing tone, legato writing, inner voices and refined colour.

A lyrical but demanding Romantic piano work, close to the concert étude. With two 1838 Schlesinger versions included, this edition gives pianists a rare view of Henselt revising the piece for effect and playability.

A large-scale operatic concert variation set after Donizetti, presented in both its 1837 original and 1876 revised versions, with demanding textures and Henselt’s early Romantic virtuoso writing.

An ambitious early Romantic sonata by Ludwig Schuncke, written before his death at twenty-three. A substantial four-movement work for pianists interested in Schumann’s circle, classical discipline and brilliant pianism.